If, during the the last few months, you saw an email or posting entitled "Mother of the Matrix Victorious," then this will give you some more background. Sophia Stewart is the "mother" in question, and she has asserted that the Wachowski Brothers, producer Joel Silver and Warner Brothers knowingly and willfully used material she'd written years earlier to create the Terminator and Matrix films.
The "victorious" part of the headline pertained to a judgment in Stewart's favor granted by the Central District Court of California in October. However, this was not a victory that firmly and finally established infringement of Stewart's copyright (and, thus, obligated the defendants to pay what stands to be CRAZY multimillion-dollar compensation). That
will be decided in upcoming adjudication.
For now, let's go back to the beginning:
Playahata.com: How and when did the Wachowski brothers get a hold of your script called the Third Eye to turn it into a movie?
Sophia Stewart: They got access to my script around 1986. I sent it to them because they had an ad in a national magazine looking for science fiction manuscripts that they were going to turn into a comic book. I sent it to the Wachowski brothers in Chicago. I never heard anything back from them. I had also shopped the script around Hollywood to other places. I did not know anything became of the script until 1999 when I went to the movies to see The Matrix. When I saw it with my friend Seagram, I was astonished, just blown away.
PH: First off the majority of people don't understand how The Terminator plays into this lawsuit, they see a direct connection with your manuscript and The Matrix film. However, since The Terminator is a different movie, they get confused trying to figure out why you are suing both, please make the connection for us.
SS: First, these two franchises are owned by the same people or movie house. [And] The Terminator and The Matrix are actually one book. That's my Third Eye manuscript. It's nine chapters but it's all from the same source (no pun intended). Terminator starts from the front of my book to the back. Matrix starts from the back of my book and works its way to the front. They are moving in two opposite directions. My book was separated into two.
The Third Eye is an epic. My book spans three time frames: the past, the present and the future. Those films do the same thing. The child in the first Terminator who is born to the pregnant lady (Sarrah Connor) grows up to be the same as the grown-man character in the Matrix called Neo. It's that chosen one, savior concept. Matrix starts in the future, when technology has taken over. The Terminator was sent to kill the child who was prophesized to destroy the machines. That intersects directly with Neo as being the one prophesized to bring the machine reign to an end. One critic who is unaware of my lawsuit called the movies cousins, but they are actually one in the same in the original.
PH: I see the themes being the same like Man v. Machine or Technology v. Humanity, both have the apocalyptic vision of world ending as we know it if the machines win. The artificial intelligence wanting to survive on its own.
SS: When you read The Third Eye, you will see it's all one story. You have to understand, I am very subtle with the way I write; I work on the subliminal. When I write, I don't want people to be able to tell my race or gender. Look at
Octavia Butler, the most famous black, female science fiction writer: they never put her work on the big screen.
PH Wait, I want to backtrack. Why didn't you come out with the lawsuit after The Terminator movie came out, since The Terminator was before The Matrix?
SS: I have not seen The Terminator film, so I never knew. They can't punish me for not having seen The Terminator. Actually, my friend James Perry read the Third Eye and said 'Wow, this is The Terminator movie,' but initially I never paid much attention to him.
To this day, the studio only tried to dismiss my case by saying the statue of limitation had expired, but copyright laws go by 'discovery date,' so they start from when the plaintiff discovers the problem. I currently work as a paralegal so I know about the law. When I moved to file the lawsuit against the Wachowski Brothers in federal court, the FBI investigated and established the connection with the Terminator film for me. They established my work as having been used in The Terminator, otherwise it would have just been The Matrix in my lawsuit.
Letters to me [from] the FBI called 'evidence of access' establish my work on-site. Bruce, I want you to emphasize this point, 'cause people need to understand this: what is protected under the copyright is the expression. These concepts have been around for thousands of years, but what my copyright protects is the expression. My story is a science-fiction story, it's created in a science-fiction form and all the subliminal, esoteric stuff is unique that is my expression. So the concepts may not be new -- nobody can own a concept -- but it is how these ideas were presented, the expression, [that] the law protects.
PH: Let's go over a few striking similarities between your manuscript and the movie. You have the character named Icon, which can be translated to the one, a sacred persona. One means first, and we all know that the name Neo is a anagram for the word "one." And in the movie, they call him 'The One' and he is a sacred personage. What other similarities from characters in your book and the Matrix can you tell us about?
SS: I have what's called a character analysis sheet that profiles all of my characters, and mostly all of the Matrix characters have parallels to my people. In my work, I had illustrations and logos to compare them with, also.
The FBI investigators used this to establish things. Icon gets blinded and the gold light comes out of his eyes. Neo has the same experience. I can show you the page and all of that in my book. Icon's human side dies and he is reborn and Neo's human side dies and he is reborn. Icon comes into spiritual power and Neo comes into spiritual power.
I have the old gypsy hag and they have The Oracle; they work in the same capacity. In Third Eye, my character Trafeeny has been renamed Trinity, Vashtar is renamed Morpheus, X'sers is Apock, Un becomes Cypher, Sona is Switch, Treve is Mouse. That is straight theft, no real creativity even in their theft.
I have the three levels of authority, which was three guys that could pass their power off to each other -- they all become one man [portrayed by the] three Agent Smiths. In my book, I have The Dome, which is a hidden city above the Earth. They have Zion, which is a hidden city below the Earth. I have the Guardians, they have the Sentinels...
To be continued