As I said at the end of the last post, we drove east to escape the crowds near the Grand Canyon's south entrance. After several minutes, we arrived at Grandview Point, where I had been with my grandparents and sister about 10 years earlier
when this photo was taken.
My Lady Friend wanted to put a little more distance between us and the people who began to arrive at the viewpoint.
She found a trail that led down along the canyon wall for several hundred meters (and which we heard continued for a couple of miles). There were very few people who took that route, so we were able to
take in the views in relative solitude for the better part of an hour. Then we trudged back up to the top and hit a few more viewpoints before we reached the last one, Desert View.

1280px version



1280px versionIf I remember correctly, the watchtower at Desert View was the park's main visitor center for several decades.
The tower and several nearby structures were designed by the architect Mary Colter in the 1930s. Inside, one will find a shop, cultural and geological information, and two floors that feature artifacts and commissioned artwork by local tribespeople.

Follow link for more historical photos.
1111px version"
The wall decorations of the Hopi Room are the work of
Hopi artist Fred Kabotie. The large, circular painting opposite the entrance tells the
Snake Legend -- the story of the beginning of the
Snake Dances. It is also the story of the first man to navigate the Colorado River.

"The four quadrant panes represent the four directions. The story begins in the upper left panel (north) with a Hopi chief giving prayer sticks to his son before sending him on a hazardous exploration of the Grand Canyon. The purpose of the trip is discovery of the legendary Snake People, reportedly in possession of the power to make rain, which is badly needed by the desert clan of the Hopi.
"The upper right quadrant (west) shows the son's boat floating down the Colorado River between stylized canyon walls. The lower right quadrant (south) depicts the Snake priest presenting the bow, symbol of the Snake Clan, to the traveller who already has the secret of rainmaking in the bag. So well is he received that the Snake priest's duaghter is given to him as his wife.
"In the lower left panel (east), the young couple is shown on their trip back to the Hopi land. The blessings of the Snake people are upon them, for the bow is dripping water and rain is falling from six different clouds.
"The design at the center of the painting represents the center of the universe. Light and life (identical in Hopi thinking) are represented by the four circular bands of color around the four quadrants, with the Sun shown above and the Moon below. The Sun, being looked upon as the father of all living beings, has all the colors of the universe. He is shown spraying the breath of eternal life on the people as he circles them. The crescent-shaped creature shown in the Moon is a mouse -- the Hopi's equivalent to the Western 'man in the Moon' [
unfortunately, there's no explanation about the symbolic, motherly attributes of the Moon -- Ed.].
"The canes in staggered sizes shown to the left and right of the circle represent the stages of humanity, symbolziing growth from birth until adulthood, the "entry into the universe," and finally, the gradually dwindling stature that comes with old age and the approach to death.

"To the left of the circular painting, the winged God of the Clouds is shown. Above him, a rainbow and a rain cloud; below, a "universal cloud" symbol that drips with rain and shows lightning at both ends.

"Another painting on the right depicts the God of Germination, attended by both the Sun and the Moon, rain clouds suspended over his head. In his hands are the implements for planting and watering corn. underneath is shown a garden plot and
the kiva where he lives."
We spent some time walking around the Desert View complex, and then we left. We drove along the western edge of the
Navajo Nation, headed for Kayenta, which prompted me to share a story about
some NASA officials who encountered two Navajo shepherds during an Apollo training exercise in the area. I love that story, even if it's not true.
Anyhow, we didn't get as far as Kayenta because the daylight was quickly fading. We stopped to camp at
Navajo National Monument instead, and thus ended day 16... the last day of our westward travel.




Part one of day 16 is here.
The final post in the series is here.